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<oembed><version>1.0</version><provider_name>Catalogue raisonn&#xE9; de Leonetto Cappiello</provider_name><provider_url>https://cappiello.fr/en/</provider_url><title>Folies-Berg&#xE8;re / Louise Balthy</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="Riheu0LGeI"&gt;&lt;a href="https://cappiello.fr/en/produit/folies-bergere-3/"&gt;Folies-Berg&#xE8;re / Louise Balthy&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://cappiello.fr/en/produit/folies-bergere-3/embed/#?secret=Riheu0LGeI" width="600" height="338" title="&#x201C;Folies-Berg&#xE8;re / Louise Balthy&#x201D; &#x2014; Catalogue raisonn&#xE9; de Leonetto Cappiello" data-secret="Riheu0LGeI" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><thumbnail_url>https://cappiello.fr/wp-content/uploads/2024/10/Lithographie-affiche-publicitaire-folies-bergere-louise-balthy-2-cappiello-1902.jpg</thumbnail_url><thumbnail_width>572</thumbnail_width><thumbnail_height>800</thumbnail_height><description>Portrait of Louise Balthy, whom Cappiello had sketched many times since 1899. She is seen here in her act on the stage of the Folies-Berg&#xE8;re. She wears a dress with a bustle. Her hairstyle is eccentric. "Ch&#xE9;ret, in 1893, created a poster for L. Balthy at the Alcazar d'Et&#xE9;. Louise Balthy, a whimsical actress, had just left Les Menus Plaisirs, the cradle of her success in 'Mademoiselle ma femme,' and was making her debut in caf&#xE9;-concert before an audience curious to see what such an original personality could bring to song. He clumsily depicts a dancer, a brunette ch&#xE9;rette, lacking great originality. With a confident and dynamic stroke, on the contrary, Cappiello paints a portrait of such power that his Louise Balthy leaps off the poster. The light background highlights the suppleness of the silhouette, accentuated by the dress's pattern, and the grace of the arm's movement lifting the frothy lace train. Another poster is known for a Revue at the Folies Berg&#xE8;res, a composition of photos showing various artists in their roles. The layout of this poster is very close to that of 'Corset le furet': the arabesque and the overall movement of the poster are identical." [in Cappiello. Caricatures posters paintings. Grand Palais. 1981]</description></oembed>
