1.0Catalogue raisonné de Leonetto Cappiellohttps://cappiello.fr/en/rich600338<blockquote class="wp-embedded-content" data-secret="HFZiPreYwu"><a href="https://cappiello.fr/en/produit/xerez-quina-ruiz-2/">Xérez-Quina-Ruiz</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://cappiello.fr/en/produit/xerez-quina-ruiz-2/embed/#?secret=HFZiPreYwu" width="600" height="338" title="“Xérez-Quina-Ruiz” — Catalogue raisonné de Leonetto Cappiello" data-secret="HFZiPreYwu" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://cappiello.fr/wp-includes/js/wp-embed.min.js /* ]]> */ </script> https://cappiello.fr/wp-content/uploads/2024/10/Lithographie-affiche-publicitaire-xerez-quina-ruiz-2-cappiello-1905.jpg564800A wading bird tries to drink a glass of wine with the tip of its long beak: in vain! "Four posters by Cappiello. For our return, the walls are once again adorned with these admirable panels before which Parisians, born flâneurs and artists, linger from November to June. A new Cappiello, intriguing to follow, to study closely, who reinvents himself, transforms, and fills the lines with harmoniously disconcerting early subjects. While strolling at his publisher's, Mr. Vercasson—whose impeccable taste almost reconciles us with advertising—I admire, laid out on the floor, the four proofs he has just approved for printing. Side by side, we share the joy of imagining the astonishment these beautiful efforts will provoke tomorrow in Paris. A jaguar (Ed.: Pedro Domecq), an ibis, a devil (Ed.: Anis Infernal), the witness's testimony (Ed.: El Gramophone), these are the subjects. Precision in drawing, full forms, admirable color discoveries, a perfect sense of the desired effect, irony in the details—such is the outcome of this new Cappiello campaign. After seeing the four panels, there is such a human gesture, such a movement of the beast, such a nuance of wing or fur that etches itself into the eyes and lingers in memory like a happy souvenir, which, in moments of reverie, will reappear before us. Cappiello, master of the familiar Parisian poster, who once captured with a stroke, a line, a hint of color the eye, the tic, the makeup of one of our great stage favorites, now returns through study, instinctive tradition, mysteriously embedded in his being. The ordinary caricaturist of our actresses has become a prodigious animal painter. It’s the same thing... Forgive me; I mean that in both cases, he draws from the Japanese." Georges Grappe, *Vie de Paris*, September 23, 1905.