{"id":135787,"date":"2025-11-02T13:15:53","date_gmt":"2025-11-02T12:15:53","guid":{"rendered":"https:\/\/cappiello.fr\/caricatures\/"},"modified":"2025-11-04T07:40:41","modified_gmt":"2025-11-04T06:40:41","slug":"caricatures","status":"publish","type":"page","link":"https:\/\/cappiello.fr\/en\/caricatures\/","title":{"rendered":"Caricatures"},"content":{"rendered":"<p><div class=\"fusion-bg-parallax\" data-bg-align=\"center top\" data-direction=\"up\" data-mute=\"false\" data-opacity=\"100\" data-velocity=\"-0.3\" data-mobile-enabled=\"false\" data-break_parents=\"0\" data-bg-image=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/29-president-Bonnet.jpg\" data-bg-repeat=\"false\" data-bg-color=\"#18352d\" data-bg-gradient-type=\"linear\" data-bg-gradient-angle=\"180\" data-bg-gradient-start-color=\"rgba(24,53,45,0.45)\" data-bg-gradient-start-position=\"71\" data-bg-gradient-end-color=\"#18352d\" data-bg-gradient-end-position=\"100\" data-bg-radial-direction=\"center center\" ><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background fusion-parallax-up nonhundred-percent-fullwidth non-hundred-percent-height-scrolling lazyload fusion-animated\" style=\"--awb-background-position:center top;--awb-border-sizes-top:0;--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:10vw;--awb-padding-bottom:10vw;--awb-margin-top:0px;--awb-margin-bottom:0px;--awb-background-color:#18352d;--awb-background-image:linear-gradient(180deg, rgba(24,53,45,0.45) 71%,#18352d 100%);;--awb-background-size:cover;--awb-flex-wrap:wrap;--awb-animation-color:#18352d;\" data-bg=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/29-president-Bonnet.jpg\" data-bg-gradient=\"linear-gradient(180deg, rgba(24,53,45,0.45) 71%,#18352d 100%)\" data-animationType=\"revealInDown\" data-animationDuration=\"1.3\" data-animationOffset=\"top-into-view\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:1268.8px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:65%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.9538461538462%;--awb-margin-bottom-large:4vw;--awb-spacing-left-large:2.9538461538462%;--awb-width-medium:65%;--awb-order-medium:0;--awb-spacing-right-medium:2.9538461538462%;--awb-spacing-left-medium:2.9538461538462%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:#ffffff;--awb-margin-bottom:20px;--awb-margin-top-small:10px;--awb-margin-right-small:0px;--awb-margin-bottom-small:10px;--awb-margin-left-small:0px;--awb-font-size:55px;\"><h1 class=\"fusion-title-heading title-heading-center fusion-responsive-typography-calculated\" style=\"font-family:&quot;Aboreto&quot;;font-style:normal;font-weight:400;margin:0;text-transform:var(--awb-typography1-text-transform);font-size:1em;--fontSize:55;line-height:1.2;\">Caricatures<\/h1><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:50px;--awb-background-color:#fffbf4;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1268.8px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p>According to Barbara Stentz, a caricature is a striking and partisan drawing whose purpose is to provoke, shock, ridicule, or stigmatize a situation or a person. The word caricature is often synonymous with editorial cartoon or satirical drawing. To simplify, we will refer to all these genres by the same term: caricature. The caricature has three main objectives:   <\/p>\n<ul>\n<li><span class=\"texte\">Entertainment,<\/span><\/li>\n<li><span class=\"texte\">Political and social commentary,<\/span><\/li>\n<li><span class=\"texte\">Propaganda.<\/span><\/li>\n<\/ul>\n<p>As we will see, Cappiello left us with numerous caricatures of these three types.<\/p>\n<\/div><div class=\"fusion-title title fusion-title-2 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"--awb-margin-top-small:10px;--awb-margin-right-small:0px;--awb-margin-bottom-small:10px;--awb-margin-left-small:0px;\"><h2 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:50;line-height:var(--awb-typography1-line-height);\">Entertainment<\/h2><\/div><div class=\"fusion-text fusion-text-2\"><p>Right from the end of his studies, in 1896, he published his first album of drawings of Livorno&#8217;s high society in summer attire: &#8220;Lanterna Magica, Estate&#8221; (Magic Lantern, Summer). At that time, Livorno was a renowned seaside resort, which allowed Cappiello to find interesting characters to sketch. He creates realistic representations of them, without exaggeration or coarseness. His style is stripped down: simple lines with a light watercolor wash.   <\/p>\n<p align=\"justify\">In the spring of 1898, he came to Paris to see his brother. He tells us about his early days as a Parisian caricaturist: <\/p>\n<p>&#8220;&#8230;I was pleasantly wasting my time in Livorno when, in 1898, I formed the plan to come to Paris, not to work, but to see my brother, who was at the Stock Exchange. I wanted to spend at least a month with him, time enough to get to know your capital. I sometimes went to the Stock Exchange; I saw some good faces there that I amused myself by drawing. These caricatures, which my brother showed to his friends, caused their astonishment. I was congratulated and I savored the joy of this success, so to speak, within the family, without thinking of expanding the circle of my experiences and acquaintances, without aspiring to more resounding glory. Moreover, my father died around that same time; I returned to Livorno. But Paris had conquered me\u2014if I had not conquered Paris\u2014and I soon found myself strolling along the boulevards again.&#8221;<\/p>\n<p><a name=\"puccini\"><\/a>One day I ran into Puccini there. Exclamations of surprise, handshakes (<g id=\"gid_0\"><g id=\"gid_1\">Note: Puccini was Tuscan like Cappiello and they knew each other well<\/g><\/g>). Arm in arm, we went to the nearest caf\u00e9&#8230; It was the aperitif of success.  <\/p>\n<p align=\"justify\">We chattered away like people who have a backlog of questions to ask. Puccini asked me what I was up to. &#8220;Well, not much, really,&#8221; I told him. &#8220;I&#8217;ve already drawn a few caricatures for friends; I would now like to offer others to the Parisian public. But who should I choose as subjects? I don&#8217;t know anyone; and surely, for my attempt to succeed, I&#8217;m obliged to choose personalities from Tout-Paris, am I not?&#8221;     <\/p>\n<div class=\"container-fluid\">\n<div class=\"row clearfix\">\n<div class=\"col-md-3 column\" align=\"center\">\n<div id=\"attachment_792\" class=\"wp-caption alignleft\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"--awb-flex-grow:0;--awb-flex-grow-medium:0;--awb-flex-grow-small:0;--awb-flex-shrink:0;--awb-flex-shrink-medium:0;--awb-flex-shrink-small:0;width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-0 fusion_builder_column_inner_1_3 1_3 fusion-flex-column fusion-flex-align-self-center\" style=\"--awb-bg-size:cover;--awb-width-large:33.333333333333%;--awb-margin-top-large:0px;--awb-spacing-right-large:5.76%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:5.76%;--awb-width-medium:33.333333333333%;--awb-order-medium:0;--awb-spacing-right-medium:5.76%;--awb-spacing-left-medium:5.76%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\" data-scroll-devices=\"small-visibility,medium-visibility,large-visibility\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element awb-imageframe-style awb-imageframe-style-below awb-imageframe-style-1\" style=\"text-align:center;--awb-liftup-border-radius:0px;--awb-caption-margin-top:20px;--awb-caption-title-font-family:var(--body_typography-font-family);--awb-caption-title-font-weight:var(--body_typography-font-weight);--awb-caption-title-font-style:var(--body_typography-font-style);--awb-caption-title-size:var(--body_typography-font-size);--awb-caption-title-transform:var(--body_typography-text-transform);--awb-caption-title-line-height:var(--body_typography-line-height);--awb-caption-title-letter-spacing:var(--body_typography-letter-spacing);\"><div class=\"awb-image-frame awb-image-frame-1 imageframe-liftup\"><span class=\" fusion-imageframe imageframe-none imageframe-1\"><img decoding=\"async\" width=\"250\" height=\"338\" alt=\"Puccini caricature by Leonetto Capiello\" title=\"Puccini at the piano\" src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/puccini.jpg\" data-orig-src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/puccini.jpg\" class=\"lazyload img-responsive wp-image-135772\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27250%27%20height%3D%27338%27%20viewBox%3D%270%200%20250%20338%27%3E%3Crect%20width%3D%27250%27%20height%3D%27338%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/puccini-200x270.jpg 200w, https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/puccini.jpg 250w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 640px) 100vw, 250px\" \/><\/span><\/div><div class=\"awb-imageframe-caption-container\"><div class=\"awb-imageframe-caption\"><div class=\"awb-imageframe-caption-title\">Puccini at the piano<\/div><p class=\"awb-imageframe-caption-text\">Appeared in Le Rire N\u00b0 191 on July 2, 1898<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-1 fusion_builder_column_inner_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.88%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:2.88%;--awb-width-medium:66.666666666667%;--awb-order-medium:0;--awb-spacing-right-medium:2.88%;--awb-spacing-left-medium:2.88%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-3\"><div align=\"justify\">An idea occurs to me, which I explain to Puccini: it would be to take advantage of his presence in Paris and the success of &#8220;La Boh\u00e8me&#8221; there to make a caricature of him. I would join it with one of Novelli.  <span class=\"texte\"><em>(Note: Novelli: a great Tuscan actor, like Cappiello and Puccini. He was performing in Paris at the time in &#8220;Papa Lebonnard&#8221; by Jean Aicard.)<\/em><\/span>Puccini approved; I got to work and a few days later, I took the two caricatures to *Le Rire*. This was my first step into the Parisian career. So, I left my drawings at the newspaper without speaking to anyone and left. Imagine my surprise to see myself published in the very next issue: At that moment, I formed a hundred plans; I was ignited with a beautiful ardour.<br \/>(Interview with Cappiello in the newspaper *Le Temps*, January 4, 1903; remarks collected by Joseph Galtier)<\/div>\n<div align=\"justify\">Immediately, Ars\u00e8ne Alexandre, the director of *<a href=\"http:\/\/fr.wikipedia.org\/wiki\/Le_Rire\" target=\"_blank\" rel=\"noopener\">Le Rire<\/a>*, recruited him for his team. His success was confirmed with the caricature portraits of R\u00e9jane, Ot\u00e9ro, Jeanne Granier, Coquelin Cadet, C\u00e9cile Sorel, Yvette Guilbert, etc. <\/div>\n<div align=\"justify\">His drawing, truer than nature yet with such simplified lines, brought a genuine renewal to the art of caricature. Many magazine and newspaper editors were quick to recognize this and asked for his collaboration: *Le Cri de Paris*, *La Rampe*, *Le Journal*, *Le Figaro*, *Le Sourire*, *Femina*, etc. <\/div>\n<div align=\"justify\">Cappiello&#8217;s caricatures primarily concern the world of entertainment, essentially focusing on the theatre. Many caricatures, already published, would later be compiled into albums: <\/div>\n<\/div><\/div><\/div><\/div><div class=\"fusion-text fusion-text-4 fusion-text-no-margin\" style=\"--awb-margin-bottom:20px;\"><div align=\"justify\">\u2013 &#8220;Nos Actrices&#8221; was published in 1899 by La Revue Blanche. It features 18 color caricatures of the most famous Parisian actresses of the time: Sarah Bernhardt, R\u00e9jane, Marthe Brend\u00e8s, C\u00e9cile Sorel, etc. <\/div>\n<div align=\"justify\">\u2013 \u00abLe Th\u00e9\u00e2tre de Cappiello\u00bb publi\u00e9 en 1903 par la revue Le Th\u00e9\u00e2tre r\u00e9uni 33 dessins en couleurs. Cet album pr\u00e9sente aussi bien des acteurs seuls que des sc\u00e8nes de th\u00e9\u00e2tre : Sarah Bernhardt, Georges Feydeau, Antoine, Polaire \u00e0 la Scala, Lucien Guitry \/ Jane Hading \/ Boisselot dans La Ch\u00e2telaine d\u2019Alfred Capus, Marthe Brand\u00e8s et Julia Bartet dans l\u2019Enigme de Paul Hervieu, etc\u2026 <\/div>\n<\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"--awb-flex-grow:0;--awb-flex-grow-medium:0;--awb-flex-grow-small:0;--awb-flex-shrink:0;--awb-flex-shrink-medium:0;--awb-flex-shrink-small:0;width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-2 fusion_builder_column_inner_1_2 1_2 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:3.84%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:3.84%;--awb-width-medium:50%;--awb-order-medium:0;--awb-spacing-right-medium:3.84%;--awb-spacing-left-medium:3.84%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element awb-imageframe-style awb-imageframe-style-below awb-imageframe-style-2\" style=\"text-align:center;--awb-caption-title-font-family:var(--body_typography-font-family);--awb-caption-title-font-weight:var(--body_typography-font-weight);--awb-caption-title-font-style:var(--body_typography-font-style);--awb-caption-title-size:var(--body_typography-font-size);--awb-caption-title-transform:var(--body_typography-text-transform);--awb-caption-title-line-height:var(--body_typography-line-height);--awb-caption-title-letter-spacing:var(--body_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-2 hover-type-none\"><img decoding=\"async\" width=\"246\" height=\"338\" alt=\"Caricature of Sarah Bernhardt by Leonetto Cappiello\" src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/SarahB.jpg\" data-orig-src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/SarahB.jpg\" class=\"lazyload img-responsive wp-image-135773\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27246%27%20height%3D%27338%27%20viewBox%3D%270%200%20246%20338%27%3E%3Crect%20width%3D%27246%27%20height%3D%27338%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/SarahB-200x275.jpg 200w, https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/SarahB.jpg 246w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 640px) 100vw, 246px\" \/><\/span><div class=\"awb-imageframe-caption-container\"><div class=\"awb-imageframe-caption\"><p class=\"awb-imageframe-caption-text\">Sarah Bernhardt in L'Aiglon<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-3 fusion_builder_column_inner_1_2 1_2 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:3.84%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:3.84%;--awb-width-medium:50%;--awb-order-medium:0;--awb-spacing-right-medium:3.84%;--awb-spacing-left-medium:3.84%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element awb-imageframe-style awb-imageframe-style-below awb-imageframe-style-3\" style=\"text-align:center;--awb-caption-title-font-family:var(--body_typography-font-family);--awb-caption-title-font-weight:var(--body_typography-font-weight);--awb-caption-title-font-style:var(--body_typography-font-style);--awb-caption-title-size:var(--body_typography-font-size);--awb-caption-title-transform:var(--body_typography-text-transform);--awb-caption-title-line-height:var(--body_typography-line-height);--awb-caption-title-letter-spacing:var(--body_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-3 hover-type-none\"><img decoding=\"async\" width=\"246\" height=\"338\" alt=\"Edmond Rostand &quot;Before the reception\" src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/Rostand.jpg\" data-orig-src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/Rostand.jpg\" class=\"lazyload img-responsive wp-image-135774\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27246%27%20height%3D%27338%27%20viewBox%3D%270%200%20246%20338%27%3E%3Crect%20width%3D%27246%27%20height%3D%27338%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/Rostand-200x275.jpg 200w, https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/Rostand.jpg 246w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 640px) 100vw, 246px\" \/><\/span><div class=\"awb-imageframe-caption-container\"><div class=\"awb-imageframe-caption\"><p class=\"awb-imageframe-caption-text\">Edmond Rostand \"Before the reception<\/p><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-text fusion-text-5\"><div id=\"granier\">\u2013 &#8220;70 Dessins de Cappiello&#8221; published in 1905 by H. Floury is his final album. It is a collection of 70 black and white drawings with some color highlights: Catulle Mend\u00e8s, Jean Jaur\u00e8s and Emile Combes at the National Assembly, Robert de Montesquiou, and many others.<br \/>Concurrently, in 1899, Cappiello created polychrome plaster statuettes that are entirely in the style of his caricatures: Princesse de Ligne, Albert Brasseur, Yvette Guilbert, Jeanne Granier, and R\u00e9jane. <\/div>\n<\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"--awb-flex-grow:0;--awb-flex-grow-medium:0;--awb-flex-grow-small:0;--awb-flex-shrink:0;--awb-flex-shrink-medium:0;--awb-flex-shrink-small:0;width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-4 fusion_builder_column_inner_1_2 1_2 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:3.84%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:3.84%;--awb-width-medium:50%;--awb-order-medium:0;--awb-spacing-right-medium:3.84%;--awb-spacing-left-medium:3.84%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element awb-imageframe-style awb-imageframe-style-below awb-imageframe-style-4\" style=\"text-align:center;--awb-caption-title-font-family:var(--body_typography-font-family);--awb-caption-title-font-weight:var(--body_typography-font-weight);--awb-caption-title-font-style:var(--body_typography-font-style);--awb-caption-title-size:var(--body_typography-font-size);--awb-caption-title-transform:var(--body_typography-text-transform);--awb-caption-title-line-height:var(--body_typography-line-height);--awb-caption-title-letter-spacing:var(--body_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-4 hover-type-none\"><img decoding=\"async\" width=\"168\" height=\"300\" alt=\"Statue of Jeanne Granier\" src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/statue-JG.jpg\" data-orig-src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/statue-JG-168x300.jpg\" class=\"lazyload img-responsive wp-image-135775\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27335%27%20height%3D%27600%27%20viewBox%3D%270%200%20335%20600%27%3E%3Crect%20width%3D%27335%27%20height%3D%27600%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/statue-JG-200x358.jpg 200w, https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/statue-JG.jpg 335w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 640px) 100vw, 168px\" \/><\/span><div class=\"awb-imageframe-caption-container\"><div class=\"awb-imageframe-caption\"><p class=\"awb-imageframe-caption-text\">Jeanne Granier<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-5 fusion_builder_column_inner_1_2 1_2 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:3.84%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:3.84%;--awb-width-medium:50%;--awb-order-medium:0;--awb-spacing-right-medium:3.84%;--awb-spacing-left-medium:3.84%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element awb-imageframe-style awb-imageframe-style-below awb-imageframe-style-5\" style=\"text-align:center;--awb-caption-title-font-family:var(--body_typography-font-family);--awb-caption-title-font-weight:var(--body_typography-font-weight);--awb-caption-title-font-style:var(--body_typography-font-style);--awb-caption-title-size:var(--body_typography-font-size);--awb-caption-title-transform:var(--body_typography-text-transform);--awb-caption-title-line-height:var(--body_typography-line-height);--awb-caption-title-letter-spacing:var(--body_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-5 hover-type-none\"><img decoding=\"async\" width=\"189\" height=\"300\" alt=\"Statue of Yvette Guilbert\" src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/statueYG.jpg\" data-orig-src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/statueYG-189x300.jpg\" class=\"lazyload img-responsive wp-image-135776\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27378%27%20height%3D%27600%27%20viewBox%3D%270%200%20378%20600%27%3E%3Crect%20width%3D%27378%27%20height%3D%27600%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/statueYG-200x317.jpg 200w, https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/statueYG.jpg 378w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 640px) 100vw, 189px\" \/><\/span><div class=\"awb-imageframe-caption-container\"><div class=\"awb-imageframe-caption\"><p class=\"awb-imageframe-caption-text\">Yvette Guilbert<\/p><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-text fusion-text-6\"><p align=\"justify\">Cappiello&#8217;s predecessors created their caricatures using the technique of accentuating, or even distorting, real physical features. We recall Count d&#8217;Argout&#8217;s nose, F\u00e9lix Barthe&#8217;s strabismus, and Louis-Philippe&#8217;s pear-shaped head. Eventually, readers grew tired of this, and Cappiello&#8217;s new style, later adopted in his own way by Sem, was fully appreciated by the public. Let Cappiello present it himself: &#8220;To capture the ridiculous aspect of people in a drawing or in writing, it is not necessary to exaggerate it; it is enough to reveal it.&#8221;<br \/>In his article &#8220;How I Capture a Likeness,&#8221; published on May 1, 1914, in *Lecture pour Tous*, he writes: &#8220;Behind the physical person of the man or woman whose portrait I aspired to create, I glimpsed a kind of phantom, which was their character, their moral person\u2014a sort of more quintessential synthesis of what constituted their personality. The spirit interested me more than the body. The smile impressed me more than the shape of the mouth, the gaze more than the shape of the eye.&#8221;<br \/>He gives the examples of his caricatures of Jeanne Granier and Marthe Mellot and says: &#8220;I drew the eyes of the first with a long, broad line, for although they sparkle with wit and vivacity, they are in reality rather small; and those of the second with a small dot, even though hers are magnificently large. You see that in this way, I drew the gaze much more than the eye itself, and I did not fail in this attempt, since these two effigies have been granted some degree of likeness.&#8221;     <\/p>\n<div class=\"container-fluid\">\n<div class=\"row clearfix\">\n<div class=\"col-md-6 column\" align=\"center\"><\/div>\n<\/div>\n<\/div>\n<\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"--awb-flex-grow:0;--awb-flex-grow-medium:0;--awb-flex-grow-small:0;--awb-flex-shrink:0;--awb-flex-shrink-medium:0;--awb-flex-shrink-small:0;width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-6 fusion_builder_column_inner_1_2 1_2 fusion-flex-column fusion-flex-align-self-center\" style=\"--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:3.84%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:3.84%;--awb-width-medium:50%;--awb-order-medium:0;--awb-spacing-right-medium:3.84%;--awb-spacing-left-medium:3.84%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\" data-scroll-devices=\"small-visibility,medium-visibility,large-visibility\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element awb-imageframe-style awb-imageframe-style-below awb-imageframe-style-6\" style=\"text-align:center;--awb-caption-title-font-family:var(--body_typography-font-family);--awb-caption-title-font-weight:var(--body_typography-font-weight);--awb-caption-title-font-style:var(--body_typography-font-style);--awb-caption-title-size:var(--body_typography-font-size);--awb-caption-title-transform:var(--body_typography-text-transform);--awb-caption-title-line-height:var(--body_typography-line-height);--awb-caption-title-letter-spacing:var(--body_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-6 hover-type-none\"><img decoding=\"async\" width=\"216\" height=\"300\" alt=\"Jeanne Granier, Published in Le Rire No. 213, December 3, 1898\" src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/Granier.jpg\" data-orig-src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/Granier-216x300.jpg\" class=\"lazyload img-responsive wp-image-135777\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27243%27%20height%3D%27338%27%20viewBox%3D%270%200%20243%20338%27%3E%3Crect%20width%3D%27243%27%20height%3D%27338%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/Granier-200x278.jpg 200w, https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/Granier.jpg 243w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 640px) 100vw, 216px\" \/><\/span><div class=\"awb-imageframe-caption-container\"><div class=\"awb-imageframe-caption\"><p class=\"awb-imageframe-caption-text\">Jeanne Granier\nAppeared in\nLe Rire N\u00b0 213<br>on December 3, 1898<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-7 fusion_builder_column_inner_1_2 1_2 fusion-flex-column fusion-flex-align-self-center\" style=\"--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:3.84%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:3.84%;--awb-width-medium:50%;--awb-order-medium:0;--awb-spacing-right-medium:3.84%;--awb-spacing-left-medium:3.84%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\" data-scroll-devices=\"small-visibility,medium-visibility,large-visibility\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element awb-imageframe-style awb-imageframe-style-below awb-imageframe-style-7\" style=\"text-align:center;--awb-caption-title-font-family:var(--body_typography-font-family);--awb-caption-title-font-weight:var(--body_typography-font-weight);--awb-caption-title-font-style:var(--body_typography-font-style);--awb-caption-title-size:var(--body_typography-font-size);--awb-caption-title-transform:var(--body_typography-text-transform);--awb-caption-title-line-height:var(--body_typography-line-height);--awb-caption-title-letter-spacing:var(--body_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-7 hover-type-none\"><img decoding=\"async\" width=\"155\" height=\"300\" alt=\"Marthe Mellot at the Th\u00e9\u00e2tre Antoine, Published in Nos Actrices in 1899 Preparatory drawing\" title=\"Mellot\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27175%27%20height%3D%27338%27%20viewBox%3D%270%200%20175%20338%27%3E%3Crect%20width%3D%27175%27%20height%3D%27338%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/Mellot-155x300.jpg\" class=\"lazyload img-responsive wp-image-135778\"\/><\/span><div class=\"awb-imageframe-caption-container\"><div class=\"awb-imageframe-caption\"><div class=\"awb-imageframe-caption-title\">Mellot<\/div><p class=\"awb-imageframe-caption-text\">Marthe Mellot at the Th\u00e9\u00e2tre Antoine\nAppeared in Nos Actrices in 1899<br>Preparatory drawing<\/p><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-text fusion-text-7\"><div align=\"justify\">Here is the goal to achieve: to reveal the other individual hidden within each individual, or the one they seem to hide at first glance. To denounce and prove the existence of this fleeting, synthesized image of ourselves\u2014such, in the final analysis, is the task that the portraitist-caricaturist is meant to accomplish here on earth. <\/div>\n<\/div><div class=\"fusion-title title fusion-title-3 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"--awb-margin-top-small:10px;--awb-margin-right-small:0px;--awb-margin-bottom-small:10px;--awb-margin-left-small:0px;\"><h2 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:50;line-height:var(--awb-typography1-line-height);\">Social commentary<\/h2><\/div><div class=\"fusion-text fusion-text-8\"><div align=\"justify\">Cappiello, the observer, allowed himself social commentary. As an Italian immigrant, he could not afford to make political comments. He published a few drawings in L&#8217;Assiette au Beurre in 1901, and in November 1902, he produced a special issue of the same magazine, which he titled &#8220;Gens du monde&#8221; (High Society). In 22 drawings, he denounces the foibles of the bourgeoisie, notably adultery, the frivolity of women, and money. He also took an interest in the Humbert Affair.    <\/div>\n<\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"--awb-flex-grow:0;--awb-flex-grow-medium:0;--awb-flex-grow-small:0;--awb-flex-shrink:0;--awb-flex-shrink-medium:0;--awb-flex-shrink-small:0;width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-8 fusion_builder_column_inner_1_2 1_2 fusion-flex-column fusion-flex-align-self-center\" style=\"--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:3.84%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:3.84%;--awb-width-medium:50%;--awb-order-medium:0;--awb-spacing-right-medium:3.84%;--awb-spacing-left-medium:3.84%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\" data-scroll-devices=\"small-visibility,medium-visibility,large-visibility\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element awb-imageframe-style awb-imageframe-style-below awb-imageframe-style-8\" style=\"text-align:center;--awb-caption-title-font-family:var(--body_typography-font-family);--awb-caption-title-font-weight:var(--body_typography-font-weight);--awb-caption-title-font-style:var(--body_typography-font-style);--awb-caption-title-size:var(--body_typography-font-size);--awb-caption-title-transform:var(--body_typography-text-transform);--awb-caption-title-line-height:var(--body_typography-line-height);--awb-caption-title-letter-spacing:var(--body_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-8 hover-type-none\"><img decoding=\"async\" width=\"218\" height=\"300\" alt=\"Letter to Grandma &quot;...Please don&#039;t write me any dirty things..., Mommy opens all my letters.&quot;\" src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/lettre.jpg\" data-orig-src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/lettre-218x300.jpg\" class=\"lazyload img-responsive wp-image-135779\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27246%27%20height%3D%27338%27%20viewBox%3D%270%200%20246%20338%27%3E%3Crect%20width%3D%27246%27%20height%3D%27338%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/lettre-200x275.jpg 200w, https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/lettre.jpg 246w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 640px) 100vw, 218px\" \/><\/span><div class=\"awb-imageframe-caption-container\"><div class=\"awb-imageframe-caption\"><p class=\"awb-imageframe-caption-text\">Letter to Grandma \"...Please don't write me any dirty things..., Mommy opens all my letters.\"<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-9 fusion_builder_column_inner_1_2 1_2 fusion-flex-column fusion-flex-align-self-center\" style=\"--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:3.84%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:3.84%;--awb-width-medium:50%;--awb-order-medium:0;--awb-spacing-right-medium:3.84%;--awb-spacing-left-medium:3.84%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\" data-scroll-devices=\"small-visibility,medium-visibility,large-visibility\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element awb-imageframe-style awb-imageframe-style-below awb-imageframe-style-9\" style=\"text-align:center;--awb-caption-title-font-family:var(--body_typography-font-family);--awb-caption-title-font-weight:var(--body_typography-font-weight);--awb-caption-title-font-style:var(--body_typography-font-style);--awb-caption-title-size:var(--body_typography-font-size);--awb-caption-title-transform:var(--body_typography-text-transform);--awb-caption-title-line-height:var(--body_typography-line-height);--awb-caption-title-letter-spacing:var(--body_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-9 hover-type-none\"><img decoding=\"async\" width=\"218\" height=\"300\" alt=\"&quot;- Come quickly.... he&#039;s gone.&quot;\" src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/viensvite.jpg\" data-orig-src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/viensvite-218x300.jpg\" class=\"lazyload img-responsive wp-image-135780\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27246%27%20height%3D%27338%27%20viewBox%3D%270%200%20246%20338%27%3E%3Crect%20width%3D%27246%27%20height%3D%27338%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/viensvite-200x275.jpg 200w, https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/viensvite.jpg 246w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 640px) 100vw, 218px\" \/><\/span><div class=\"awb-imageframe-caption-container\"><div class=\"awb-imageframe-caption\"><p class=\"awb-imageframe-caption-text\">\"- Come quickly.... he's gone.\"<\/p><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-title title fusion-title-4 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"--awb-margin-top-small:10px;--awb-margin-right-small:0px;--awb-margin-bottom-small:10px;--awb-margin-left-small:0px;\"><h2 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:50;line-height:var(--awb-typography1-line-height);\">Propaganda<\/h2><\/div><div class=\"fusion-text fusion-text-9\"><p align=\"justify\">At the end of the century, caricature had developed significantly. Not only were the new satirical newspapers too numerous to count, but caricatures were no longer reproduced solely in newspapers and albums; they began to invade walls and fences. Cappiello&#8217;s first posters date from 1899. He would devote more and more time to them and abandoned press drawing in 1905. From then on, his caricatures were found only on posters, except during the Great War. His aversion for the enemy prompted him to publish numerous anti-German press drawings in *<a href=\"http:\/\/labaionnette.free.fr\/\" target=\"_blank\" rel=\"noopener\">La Ba\u00efonnette<\/a>* from 1915 to 1917. The style of his drawings changed completely and became very aggressive. This contrasted sharply with Cappiello&#8217;s character, which was rather measured.       <\/p>\n<\/div><div class=\"fusion-image-element awb-imageframe-style awb-imageframe-style-below awb-imageframe-style-10\" style=\"text-align:center;--awb-margin-top:20px;--awb-margin-bottom:20px;--awb-caption-title-font-family:var(--body_typography-font-family);--awb-caption-title-font-weight:var(--body_typography-font-weight);--awb-caption-title-font-style:var(--body_typography-font-style);--awb-caption-title-size:var(--body_typography-font-size);--awb-caption-title-transform:var(--body_typography-text-transform);--awb-caption-title-line-height:var(--body_typography-line-height);--awb-caption-title-letter-spacing:var(--body_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-10 hover-type-zoomin\"><img decoding=\"async\" width=\"218\" height=\"300\" alt=\"Cover of the special issue of La Ba\u00efonnette N\u00b051 of June 22, 1916 entitled: &quot;Les Pirates&quot;.\" src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/baionnette.jpg\" data-orig-src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/baionnette-218x300.jpg\" class=\"lazyload img-responsive wp-image-135781\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27436%27%20height%3D%27600%27%20viewBox%3D%270%200%20436%20600%27%3E%3Crect%20width%3D%27436%27%20height%3D%27600%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/baionnette-200x275.jpg 200w, https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/baionnette-400x550.jpg 400w, https:\/\/cappiello.fr\/wp-content\/uploads\/2025\/11\/baionnette.jpg 436w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 640px) 100vw, 218px\" \/><\/span><div class=\"awb-imageframe-caption-container\"><div class=\"awb-imageframe-caption\"><p class=\"awb-imageframe-caption-text\">Couverture du num\u00e9ro sp\u00e9cial de la Ba\u00efonnette N\u00b051 du 22 juin 1916 intitul\u00e9 : \u00ab Les Pirates \u00bb<\/p><\/div><\/div><\/div><div class=\"fusion-title title fusion-title-5 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"--awb-margin-top-small:10px;--awb-margin-right-small:0px;--awb-margin-bottom-small:10px;--awb-margin-left-small:0px;\"><h2 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:50;line-height:var(--awb-typography1-line-height);\">The move to posters<\/h2><\/div><div class=\"fusion-text fusion-text-10\"><div align=\"justify\">Throughout his career as a poster artist, he retained his talents as a caricaturist. It&#8217;s worth noting that Cappiello&#8217;s caricature style, being very minimalist, was particularly well-suited for posters. Indeed, when a passerby glances at a caricature-poster, their brain must immediately recognize the person depicted and be drawn in by a few small, pleasing details; for example, a pose, a smile, or a particular facial characteristic that is skillfully highlighted. From there, they can then become interested in the surrounding text.   <\/div>\n<div align=\"justify\">He created posters for numerous artists such as: H\u00e9l\u00e8ne Chauvin, Odette Dulac, R\u00e9jane, Louise Balthy, Gyp, Monna Delza, Polaire, Cora Brown-Potter, France Maillane, Sacha Guitry, Mistinguett, Jane Renouardt, Conchita Supervia, and many others. But we will pay particular attention to the &#8220;Nouilles \u2013 Macaronis FERRARI&#8221; poster, which features many actors from the show business of the time (1903). From left to right, one can recognize: Mounet-Sully, \u00c8ve Lavalli\u00e8re, Coquelin A\u00een\u00e9, R\u00e9jane, Albert Brasseur, Charles Le Bargy, Jeanne Granier, Lucien Guitry, Coquelin Cadet, and Marthe Brand\u00e8s.<br \/>Obviously, these actors had no connection with FERRARI pasta, but what audacity in 1900 to associate very well-known artists with a food product. Today, this is a common practice in advertising, but at the time, it was a first.    <\/div>\n<\/div><div class=\"fusion-image-element awb-imageframe-style awb-imageframe-style-below awb-imageframe-style-11\" style=\"text-align:center;--awb-liftup-border-radius:0px;--awb-margin-top:20px;--awb-margin-bottom:20px;--awb-caption-title-font-family:var(--body_typography-font-family);--awb-caption-title-font-weight:var(--body_typography-font-weight);--awb-caption-title-font-style:var(--body_typography-font-style);--awb-caption-title-size:var(--body_typography-font-size);--awb-caption-title-transform:var(--body_typography-text-transform);--awb-caption-title-line-height:var(--body_typography-line-height);--awb-caption-title-letter-spacing:var(--body_typography-letter-spacing);\"><div class=\"awb-image-frame awb-image-frame-11 imageframe-liftup\"><span class=\" fusion-imageframe imageframe-dropshadow imageframe-11\" style=\"-webkit-box-shadow: 5px 5px 9px var(--awb-color7);box-shadow: 5px 5px 9px var(--awb-color7);\"><img decoding=\"async\" width=\"300\" height=\"221\" alt=\"Advertising lithograph: Noodles. Macaroni \" title=\"1904008Z0\" src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2024\/10\/Lithographie-affiche-publicitaire-nouilles-macaronis-cappiello-1904.jpg\" data-orig-src=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2024\/10\/Lithographie-affiche-publicitaire-nouilles-macaronis-cappiello-1904-300x221.jpg\" class=\"lazyload img-responsive wp-image-134444\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27800%27%20height%3D%27589%27%20viewBox%3D%270%200%20800%20589%27%3E%3Crect%20width%3D%27800%27%20height%3D%27589%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2024\/10\/Lithographie-affiche-publicitaire-nouilles-macaronis-cappiello-1904-200x147.jpg 200w, https:\/\/cappiello.fr\/wp-content\/uploads\/2024\/10\/Lithographie-affiche-publicitaire-nouilles-macaronis-cappiello-1904-400x295.jpg 400w, https:\/\/cappiello.fr\/wp-content\/uploads\/2024\/10\/Lithographie-affiche-publicitaire-nouilles-macaronis-cappiello-1904-600x442.jpg 600w, https:\/\/cappiello.fr\/wp-content\/uploads\/2024\/10\/Lithographie-affiche-publicitaire-nouilles-macaronis-cappiello-1904.jpg 800w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 640px) 100vw, 300px\" \/><\/span><\/div><div class=\"awb-imageframe-caption-container\"><div class=\"awb-imageframe-caption\"><div class=\"awb-imageframe-caption-title\">1904008Z0<\/div><p class=\"awb-imageframe-caption-text\">Poster for Nouilles - Macaronis Ferrari (1903)<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-135787","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.0 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Caricatures - Catalogue raisonn\u00e9 de Leonetto Cappiello<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cappiello.fr\/en\/caricatures\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Caricatures\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cappiello.fr\/en\/caricatures\/\" \/>\n<meta property=\"og:site_name\" content=\"Catalogue raisonn\u00e9 de Leonetto Cappiello\" \/>\n<meta property=\"article:modified_time\" content=\"2025-11-04T06:40:41+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"39 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/caricatures\\\/\",\"url\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/caricatures\\\/\",\"name\":\"Caricatures - 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