{"id":132248,"date":"1902-01-01T00:00:00","date_gmt":"1901-12-31T23:50:39","guid":{"rendered":"https:\/\/cappiello.fr\/produit\/folies-bergere-3\/"},"modified":"2025-05-14T07:54:55","modified_gmt":"2025-05-14T05:54:55","slug":"folies-bergere-3","status":"publish","type":"product","link":"https:\/\/cappiello.fr\/en\/produit\/folies-bergere-3\/","title":{"rendered":"Folies-Berg\u00e8re \/ Louise Balthy"},"content":{"rendered":"<p>Portrait of Louise Balthy, whom Cappiello had sketched many times since 1899.<br \/>\n<br \/>She is seen in her act on the stage of the Folies-Berg\u00e8re. She wears a dress with a bustle. Her hairstyle is eccentric.<br \/>\n<br \/>&#8220;Ch\u00e9ret, in 1893, created a poster for L. Balthy at the Alcazar d&#8217;Et\u00e9. Louise Balthy, a whimsical actress, had just left Les Menus Plaisirs, the cradle of her success in &#8216;Mademoiselle ma femme,&#8217; and was making her debut in caf\u00e9-concert before an audience curious to see what such an original personality could bring to song. He awkwardly depicts a dancer, a brunette ch\u00e9rette, lacking great originality. With a confident and dynamic line, on the contrary, Cappiello paints a portrait of such power that his Louise Balthy bursts through the poster. The light background highlights the suppleness of the silhouette, accentuated by the dress&#8217;s pattern, and the grace of the arm&#8217;s movement lifting the lacy, frothy train. Another poster is known for a Revue at the Folies Berg\u00e8res, a composition of photos showing various artists in their roles. The layout of this poster is very close to that of &#8216;Corset le furet&#8217;: the arabesque and the overall movement of the poster are identical&#8221; [in Cappiello. Caricatures, posters, paintings. Grand Palais. 1981]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Louise Balthy at the Th\u00e9\u00e2tre des Folies-Berg\u00e8re.<\/p>\n","protected":false},"featured_media":134982,"template":"","meta":{"_acf_changed":false},"type-doeuvre":[4057],"product_brand":[],"product_cat":[3619],"product_tag":[3825,3893],"class_list":{"0":"post-132248","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"type-doeuvre-affiches","7":"product_cat-theaters-shows","8":"product_tag-actress","9":"product_tag-goose-quill-en","10":"pa_periode-1900-1918-en","11":"pa_type-de-contenu-lithography","13":"first","14":"instock","15":"virtual","16":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.0 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Folies-Berg\u00e8re \/ Louise Balthy - Catalogue Raisonn\u00e9 de Leonetto Cappiello<\/title>\n<meta name=\"description\" content=\"Portrait of Louise Balthy, whom Cappiello had sketched many times since 1899. She is seen here in her act on the stage of the Folies-Berg\u00e8re. She wears a dress with a bustle. Her hairstyle is eccentric. &quot;Ch\u00e9ret, in 1893, created a poster for L. Balthy at the Alcazar d&#039;Et\u00e9. Louise Balthy, a whimsical actress, had just left Les Menus Plaisirs, the cradle of her success in &#039;Mademoiselle ma femme,&#039; and was making her debut in caf\u00e9-concert before an audience curious to see what such an original personality could bring to song. He clumsily depicts a dancer, a brunette ch\u00e9rette, lacking great originality. With a confident and dynamic stroke, on the contrary, Cappiello paints a portrait of such power that his Louise Balthy bursts off the poster. The light background highlights the suppleness of the silhouette, accentuated by the dress&#039;s pattern, and the grace of the arm&#039;s movement lifting the frothy lace train. Another poster is known for a Revue at the Folies Berg\u00e8res, a composition of photos showing the various artists in their roles. The layout of this poster is very close to that of &#039;Corset le furet&#039;: the arabesque and the overall movement of the poster are identical.&quot; [in Cappiello. Caricatures posters paintings. Grand Palais. 1981]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cappiello.fr\/en\/produit\/folies-bergere-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Folies-Berg\u00e8re \/ Louise Balthy\" \/>\n<meta property=\"og:description\" content=\"Portrait of Louise Balthy, whom Cappiello had sketched many times since 1899. She is seen here in her act on the stage of the Folies-Berg\u00e8re. She wears a dress with a bustle. Her hairstyle is eccentric. &quot;Ch\u00e9ret, in 1893, created a poster for L. Balthy at the Alcazar d&#039;Et\u00e9. Louise Balthy, a whimsical actress, had just left Les Menus Plaisirs, the cradle of her success in &#039;Mademoiselle ma femme,&#039; and was making her debut in caf\u00e9-concert before an audience curious to see what such an original personality could bring to song. He clumsily depicts a dancer, a brunette ch\u00e9rette, lacking great originality. With a confident and dynamic stroke, on the contrary, Cappiello paints a portrait of such power that his Louise Balthy leaps off the poster. The light background highlights the suppleness of the silhouette, accentuated by the dress&#039;s pattern, and the grace of the arm&#039;s movement lifting the frothy lace train. Another poster is known for a Revue at the Folies Berg\u00e8res, a composition of photos showing various artists in their roles. The layout of this poster is very close to that of &#039;Corset le furet&#039;: the arabesque and the overall movement of the poster are identical.&quot; [in Cappiello. Caricatures posters paintings. Grand Palais. 1981]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cappiello.fr\/en\/produit\/folies-bergere-3\/\" \/>\n<meta property=\"og:site_name\" content=\"Catalogue raisonn\u00e9 de Leonetto Cappiello\" \/>\n<meta property=\"article:modified_time\" content=\"2025-05-14T05:54:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2024\/10\/Lithographie-affiche-publicitaire-folies-bergere-louise-balthy-2-cappiello-1902.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"572\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Folies-Berg\u00e8re \/ Louise Balthy\" \/>\n<meta name=\"twitter:description\" content=\"Portrait of Louise Balthy, whom Cappiello had sketched many times since 1899. She is seen here in her act on the stage of the Folies-Berg\u00e8re. She wears a dress with a bustle. Her hairstyle is eccentric. &quot;Ch\u00e9ret, in 1893, created a poster for L. Balthy at the Alcazar d&#039;Et\u00e9. Louise Balthy, a whimsical actress, had just left Les Menus Plaisirs, the cradle of her success in &#039;Mademoiselle ma femme,&#039; and was making her debut in caf\u00e9-concert before an audience curious to see what such an original personality could bring to song. He clumsily depicts a dancer, a brunette ch\u00e9rette, lacking great originality. With a confident and dynamic stroke, on the contrary, Cappiello paints a portrait of such power that his Louise Balthy leaps off the poster. The light background highlights the suppleness of the silhouette, accentuated by the dress&#039;s pattern, and the grace of the arm&#039;s movement lifting the frothy lace train. Another poster is known for a Revue at the Folies Berg\u00e8res, a composition of photos showing various artists in their roles. The layout of this poster is very close to that of &#039;Corset le furet&#039;: the arabesque and the overall movement of the poster are identical.&quot; [in Cappiello. Caricatures posters paintings. Grand Palais. 1981]\" \/>\n<meta name=\"twitter:label1\" content=\"Price\" \/>\n\t<meta name=\"twitter:data1\" content=\"\" \/>\n\t<meta name=\"twitter:label2\" content=\"Availability\" \/>\n\t<meta name=\"twitter:data2\" content=\"In stock\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"WebPage\",\"ItemPage\"],\"@id\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/produit\\\/folies-bergere-3\\\/\",\"url\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/produit\\\/folies-bergere-3\\\/\",\"name\":\"Folies-Berg\u00e8re \\\/ Louise Balthy - Catalogue Raisonn\u00e9 de Leonetto Cappiello\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/produit\\\/folies-bergere-3\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/produit\\\/folies-bergere-3\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/cappiello.fr\\\/wp-content\\\/uploads\\\/2024\\\/10\\\/Lithographie-affiche-publicitaire-folies-bergere-louise-balthy-2-cappiello-1902.jpg\",\"datePublished\":\"1901-12-31T23:50:39+00:00\",\"dateModified\":\"2025-05-14T05:54:55+00:00\",\"description\":\"Portrait of Louise Balthy, whom Cappiello had sketched many times since 1899. She is seen here in her act on the stage of the Folies-Berg\u00e8re. She wears a dress with a bustle. Her hairstyle is eccentric. \\\"Ch\u00e9ret, in 1893, created a poster for L. Balthy at the Alcazar d'Et\u00e9. Louise Balthy, a whimsical actress, had just left Les Menus Plaisirs, the cradle of her success in 'Mademoiselle ma femme,' and was making her debut in caf\u00e9-concert before an audience curious to see what such an original personality could bring to song. He clumsily depicts a dancer, a brunette ch\u00e9rette, lacking great originality. With a confident and dynamic stroke, on the contrary, Cappiello paints a portrait of such power that his Louise Balthy bursts off the poster. The light background highlights the suppleness of the silhouette, accentuated by the dress's pattern, and the grace of the arm's movement lifting the frothy lace train. Another poster is known for a Revue at the Folies Berg\u00e8res, a composition of photos showing the various artists in their roles. The layout of this poster is very close to that of 'Corset le furet': the arabesque and the overall movement of the poster are identical.\\\" [in Cappiello. Caricatures posters paintings. 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She is seen here in her act on the stage of the Folies-Berg\u00e8re. She wears a dress with a bustle. Her hairstyle is eccentric. \"Ch\u00e9ret, in 1893, created a poster for L. Balthy at the Alcazar d'Et\u00e9. Louise Balthy, a whimsical actress, had just left Les Menus Plaisirs, the cradle of her success in 'Mademoiselle ma femme,' and was making her debut in caf\u00e9-concert before an audience curious to see what such an original personality could bring to song. He clumsily depicts a dancer, a brunette ch\u00e9rette, lacking great originality. With a confident and dynamic stroke, on the contrary, Cappiello paints a portrait of such power that his Louise Balthy bursts off the poster. The light background highlights the suppleness of the silhouette, accentuated by the dress's pattern, and the grace of the arm's movement lifting the frothy lace train. Another poster is known for a Revue at the Folies Berg\u00e8res, a composition of photos showing the various artists in their roles. 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Louise Balthy, a whimsical actress, had just left Les Menus Plaisirs, the cradle of her success in 'Mademoiselle ma femme,' and was making her debut in caf\u00e9-concert before an audience curious to see what such an original personality could bring to song. He clumsily depicts a dancer, a brunette ch\u00e9rette, lacking great originality. With a confident and dynamic stroke, on the contrary, Cappiello paints a portrait of such power that his Louise Balthy leaps off the poster. The light background highlights the suppleness of the silhouette, accentuated by the dress's pattern, and the grace of the arm's movement lifting the frothy lace train. Another poster is known for a Revue at the Folies Berg\u00e8res, a composition of photos showing various artists in their roles. The layout of this poster is very close to that of 'Corset le furet': the arabesque and the overall movement of the poster are identical.\" [in Cappiello. Caricatures posters paintings. Grand Palais. 1981]","twitter_misc":{"Price":"","Availability":"In stock"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":["WebPage","ItemPage"],"@id":"https:\/\/cappiello.fr\/en\/produit\/folies-bergere-3\/","url":"https:\/\/cappiello.fr\/en\/produit\/folies-bergere-3\/","name":"Folies-Berg\u00e8re \/ Louise Balthy - Catalogue Raisonn\u00e9 de Leonetto Cappiello","isPartOf":{"@id":"https:\/\/cappiello.fr\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/cappiello.fr\/en\/produit\/folies-bergere-3\/#primaryimage"},"image":{"@id":"https:\/\/cappiello.fr\/en\/produit\/folies-bergere-3\/#primaryimage"},"thumbnailUrl":"https:\/\/cappiello.fr\/wp-content\/uploads\/2024\/10\/Lithographie-affiche-publicitaire-folies-bergere-louise-balthy-2-cappiello-1902.jpg","datePublished":"1901-12-31T23:50:39+00:00","dateModified":"2025-05-14T05:54:55+00:00","description":"Portrait of Louise Balthy, whom Cappiello had sketched many times since 1899. 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