{"id":132274,"date":"1902-01-01T00:00:00","date_gmt":"1901-12-31T23:50:39","guid":{"rendered":"https:\/\/cappiello.fr\/produit\/theatre-3\/"},"modified":"2025-05-15T00:04:44","modified_gmt":"2025-05-14T22:04:44","slug":"theatre-3","status":"publish","type":"product","link":"https:\/\/cappiello.fr\/en\/produit\/theatre-3\/","title":{"rendered":"Th\u00e9\u00e2tre du Vaudeville \/ R\u00e9jane"},"content":{"rendered":"<p>Arrival of R\u00e9jane with the manuscript of the play in hand.<br \/>\n<br \/>There exists a variant of the same dimensions without the letters.<br \/>\n<br \/>&#8220;Between 1894 and 1905, R\u00e9jane undertook major tours in France, Europe, and America, yet she continued to create and perform new plays at the Vaudeville. In 1902, she starred in La Passerelle, Le Masque by Henry Bataille, and Le Joug by Albert Guinon. In the poster announcing her return to the Vaudeville after a tour, Cappiello depicts her with a suitcase in hand, symbolizing her return to Paris but also the character of Jacqueline, a young girl arriving in Le Havre. According to critics, it was R\u00e9jane whom the audience came to applaud, and success accompanied every play she performed. &#8216;If La Passerelle did not have the incomparable Mme R\u00e9jane as its performer, I do not believe it would achieve long-lasting success. The play does not hold up, as they say\u2026 Never has Mme R\u00e9jane displayed more flexibility, lively cheerfulness, or elegant grace\u2026 she is absolutely perfect.&#8217; \u2014 Hippolyte Lemaire, Le Monde Illustr\u00e9, February 8, 1902.<br \/>\n<br \/>Cappiello\u2019s R\u00e9jane matches this glowing portrait; she is remarkably vibrant. In what is ultimately just an enlarged caricature\u2014yet one crafted with exemplary balance and restraint\u2014he captured the vitality and charm of the great actress. In &#8216;Th\u00e9\u00e2tre,&#8217; a plate is dedicated to the various facets of R\u00e9jane\u2019s role in this play, the first of the caricatures being none other than the drawing used for the poster, which Cappiello refined. The description of R\u00e9jane\u2019s costume, designed by Doucet and detailed in &#8216;La Mode Artistique&#8217; of March 1902, matches perfectly\u2014Cappiello reproduced every detail with great accuracy.&#8221; [in Cappiello 1875\u20131942: Caricatures, Posters, Paintings, and Decorative Projects, 1981]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rejane&#8217;s return in La Passerelle by Francis de Croisset at the Th\u00e9\u00e2tre du Vaudeville.<\/p>\n","protected":false},"featured_media":132275,"template":"","meta":{"_acf_changed":false},"type-doeuvre":[4057],"product_brand":[],"product_cat":[3619],"product_tag":[3284,3782,3927],"class_list":{"0":"post-132274","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"type-doeuvre-affiches","7":"product_cat-theaters-shows","8":"product_tag-sun-en-5","9":"product_tag-long-dress-en-4","10":"product_tag-theater","11":"pa_periode-1900-1918-en","12":"pa_type-de-contenu-lithography","14":"first","15":"instock","16":"virtual","17":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.0 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Th\u00e9\u00e2tre du Vaudeville \/ R\u00e9jane - Catalogue Raisonn\u00e9 de Leonetto Cappiello<\/title>\n<meta name=\"description\" content=\"Arrival of R\u00e9jane with the manuscript of the play in hand. There exists a variant of the same dimensions without the letters. &quot;Between 1894 and 1905, R\u00e9jane undertook major tours in France, Europe, and America, yet she continued to create and perform new plays at the Vaudeville. In 1902, she starred in La Passerelle, Le Masque by Henry Bataille, and Le Joug by Albert Guinon. In the poster announcing her return to the Vaudeville after a tour, Cappiello depicts her with a suitcase in hand, symbolizing her return to Paris as well as the character of Jacqueline, a young girl arriving in Le Havre. According to critics, it is R\u00e9jane whom the audience comes to applaud, and success follows every play she performs. &#039;If La Passerelle did not have the incomparable Mme R\u00e9jane as its performer, I do not believe it would achieve long-lasting success. The play does not hold up, as they say... Never has Mme R\u00e9jane displayed more flexibility, lively cheerfulness, or elegant grace... she is absolutely perfect.&#039; \u2014 Hippolyte Lemaire, Le Monde Illustr\u00e9, February 8, 1902. Cappiello\u2019s R\u00e9jane matches this glowing portrait; she is remarkably vibrant. In what is ultimately just an enlarged caricature\u2014yet one crafted with exemplary balance and restraint\u2014he has captured the vitality and charm of the great actress. In &#039;Th\u00e9\u00e2tre,&#039; a plate is dedicated to the various aspects of R\u00e9jane\u2019s role in this play, the first of the caricatures being none other than the drawing used for the poster, which Cappiello refined. The description of R\u00e9jane\u2019s costume, created by Doucet and detailed in &#039;La Mode Artistique&#039; of March 1902, matches perfectly\u2014Cappiello has rendered every detail with great accuracy.&quot; [in Cappiello 1875\u20131942: Caricatures, Posters, Paintings, and Decorative Projects, 1981]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cappiello.fr\/en\/produit\/theatre-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Th\u00e9\u00e2tre du Vaudeville \/ R\u00e9jane\" \/>\n<meta property=\"og:description\" content=\"Arrival of R\u00e9jane with the manuscript of the play in hand. There exists a variant of the same dimensions without the letters. &quot;Between 1894 and 1905, R\u00e9jane undertook major tours in France, Europe, and America, yet she continued to create and perform new plays at the Vaudeville. In 1902, she starred in La Passerelle, Le Masque by Henry Bataille, and Le Joug by Albert Guinon. In the poster announcing her return to the Vaudeville after a tour, Cappiello depicts her with a suitcase in hand, symbolizing her return to Paris as well as the character of Jacqueline, a young girl arriving in Le Havre. According to critics, it is R\u00e9jane whom the audience comes to applaud, and success follows every play she performs. &#039;If La Passerelle did not have the incomparable Mme R\u00e9jane as its performer, I do not believe it would achieve long-lasting success. The play does not hold up, as they say... Never has Mme R\u00e9jane displayed more flexibility, lively cheerfulness, or elegant grace... she is absolutely perfect.&#039; \u2014 Hippolyte Lemaire, Le Monde Illustr\u00e9, February 8, 1902. Cappiello\u2019s R\u00e9jane matches this glowing portrait; she is remarkably vibrant. In what is ultimately just an enlarged caricature\u2014yet one crafted with exemplary balance and restraint\u2014he has captured the vitality and charm of the great actress. In &#039;Th\u00e9\u00e2tre,&#039; a plate is dedicated to the various aspects of R\u00e9jane\u2019s role in this play, the first of the caricatures being none other than the drawing used for the poster, which Cappiello refined. The description of R\u00e9jane\u2019s costume, created by Doucet and detailed in &#039;La Mode Artistique&#039; of March 1902, matches perfectly\u2014Cappiello has rendered every detail with great accuracy.&quot; [in Cappiello 1875\u20131942: Caricatures, Posters, Paintings, and Decorative Projects, 1981]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cappiello.fr\/en\/produit\/theatre-3\/\" \/>\n<meta property=\"og:site_name\" content=\"Catalogue raisonn\u00e9 de Leonetto Cappiello\" \/>\n<meta property=\"article:modified_time\" content=\"2025-05-14T22:04:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2024\/10\/Lithographie-affiche-publicitaire-theatre-du-vaudeville-rejane-2-cappiello-1902.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"565\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Th\u00e9\u00e2tre du Vaudeville \/ R\u00e9jane\" \/>\n<meta name=\"twitter:description\" content=\"Arrival of R\u00e9jane with the manuscript of the play in hand. There exists a variant of the same dimensions without the letters. &quot;Between 1894 and 1905, R\u00e9jane undertook major tours in France, Europe, and America, yet she continued to create and perform new plays at the Vaudeville. In 1902, she starred in La Passerelle, Le Masque by Henry Bataille, and Le Joug by Albert Guinon. In the poster announcing her return to the Vaudeville after a tour, Cappiello depicts her with a suitcase in hand, symbolizing her return to Paris as well as the character of Jacqueline, a young girl arriving in Le Havre. According to critics, it is R\u00e9jane whom the audience comes to applaud, and success follows every play she performs. &#039;If La Passerelle did not have the incomparable Mme R\u00e9jane as its performer, I do not believe it would achieve long-lasting success. The play does not hold up, as they say... Never has Mme R\u00e9jane displayed more flexibility, lively cheerfulness, or elegant grace... she is absolutely perfect.&#039; \u2014 Hippolyte Lemaire, Le Monde Illustr\u00e9, February 8, 1902. Cappiello\u2019s R\u00e9jane matches this glowing portrait; she is remarkably vibrant. In what is ultimately just an enlarged caricature\u2014yet one crafted with exemplary balance and restraint\u2014he has captured the vitality and charm of the great actress. In &#039;Th\u00e9\u00e2tre,&#039; a plate is dedicated to the various aspects of R\u00e9jane\u2019s role in this play, the first of the caricatures being none other than the drawing used for the poster, which Cappiello refined. The description of R\u00e9jane\u2019s costume, created by Doucet and detailed in &#039;La Mode Artistique&#039; of March 1902, matches perfectly\u2014Cappiello has rendered every detail with great accuracy.&quot; [in Cappiello 1875\u20131942: Caricatures, Posters, Paintings, and Decorative Projects, 1981]\" \/>\n<meta name=\"twitter:label1\" content=\"Price\" \/>\n\t<meta name=\"twitter:data1\" content=\"\" \/>\n\t<meta name=\"twitter:label2\" content=\"Availability\" \/>\n\t<meta name=\"twitter:data2\" content=\"In stock\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"WebPage\",\"ItemPage\"],\"@id\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/produit\\\/theatre-3\\\/\",\"url\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/produit\\\/theatre-3\\\/\",\"name\":\"Th\u00e9\u00e2tre du Vaudeville \\\/ R\u00e9jane - Catalogue Raisonn\u00e9 de Leonetto Cappiello\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/produit\\\/theatre-3\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/produit\\\/theatre-3\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/cappiello.fr\\\/wp-content\\\/uploads\\\/2024\\\/10\\\/Lithographie-affiche-publicitaire-theatre-du-vaudeville-rejane-2-cappiello-1902.jpg\",\"datePublished\":\"1901-12-31T23:50:39+00:00\",\"dateModified\":\"2025-05-14T22:04:44+00:00\",\"description\":\"Arrival of R\u00e9jane with the manuscript of the play in hand. There exists a variant of the same dimensions without the letters. \\\"Between 1894 and 1905, R\u00e9jane undertook major tours in France, Europe, and America, yet she continued to create and perform new plays at the Vaudeville. In 1902, she starred in La Passerelle, Le Masque by Henry Bataille, and Le Joug by Albert Guinon. In the poster announcing her return to the Vaudeville after a tour, Cappiello depicts her with a suitcase in hand, symbolizing her return to Paris as well as the character of Jacqueline, a young girl arriving in Le Havre. According to critics, it is R\u00e9jane whom the audience comes to applaud, and success follows every play she performs. 'If La Passerelle did not have the incomparable Mme R\u00e9jane as its performer, I do not believe it would achieve long-lasting success. The play does not hold up, as they say... Never has Mme R\u00e9jane displayed more flexibility, lively cheerfulness, or elegant grace... she is absolutely perfect.' \u2014 Hippolyte Lemaire, Le Monde Illustr\u00e9, February 8, 1902. Cappiello\u2019s R\u00e9jane matches this glowing portrait; she is remarkably vibrant. In what is ultimately just an enlarged caricature\u2014yet one crafted with exemplary balance and restraint\u2014he has captured the vitality and charm of the great actress. In 'Th\u00e9\u00e2tre,' a plate is dedicated to the various aspects of R\u00e9jane\u2019s role in this play, the first of the caricatures being none other than the drawing used for the poster, which Cappiello refined. The description of R\u00e9jane\u2019s costume, created by Doucet and detailed in 'La Mode Artistique' of March 1902, matches perfectly\u2014Cappiello has rendered every detail with great accuracy.\\\" [in Cappiello 1875\u20131942: Caricatures, Posters, Paintings, and Decorative Projects, 1981]\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/produit\\\/theatre-3\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/cappiello.fr\\\/en\\\/produit\\\/theatre-3\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/produit\\\/theatre-3\\\/#primaryimage\",\"url\":\"https:\\\/\\\/cappiello.fr\\\/wp-content\\\/uploads\\\/2024\\\/10\\\/Lithographie-affiche-publicitaire-theatre-du-vaudeville-rejane-2-cappiello-1902.jpg\",\"contentUrl\":\"https:\\\/\\\/cappiello.fr\\\/wp-content\\\/uploads\\\/2024\\\/10\\\/Lithographie-affiche-publicitaire-theatre-du-vaudeville-rejane-2-cappiello-1902.jpg\",\"width\":565,\"height\":800,\"caption\":\"Michodi\u00e8re Theater in Paris\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/produit\\\/theatre-3\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The works\",\"item\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/the-works\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Th\u00e9\u00e2tre du Vaudeville \\\/ R\u00e9jane\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/\",\"name\":\"Catalogue raisonn\u00e9 de Leonetto Cappiello\",\"description\":\"Plongez dans l&#039;univers de Leonetto Cappiello, le p\u00e8re de la publicit\u00e9 moderne\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<meta property=\"product:price:currency\" content=\"EUR\" \/>\n<meta property=\"og:availability\" content=\"instock\" \/>\n<meta property=\"product:availability\" content=\"instock\" \/>\n<meta property=\"product:retailer_item_id\" content=\"1902001Z0 et 1902001Z1\" \/>\n<meta property=\"product:condition\" content=\"new\" \/>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Th\u00e9\u00e2tre du Vaudeville \/ R\u00e9jane - Catalogue Raisonn\u00e9 de Leonetto Cappiello","description":"Arrival of R\u00e9jane with the manuscript of the play in hand. There exists a variant of the same dimensions without the letters. \"Between 1894 and 1905, R\u00e9jane undertook major tours in France, Europe, and America, yet she continued to create and perform new plays at the Vaudeville. In 1902, she starred in La Passerelle, Le Masque by Henry Bataille, and Le Joug by Albert Guinon. In the poster announcing her return to the Vaudeville after a tour, Cappiello depicts her with a suitcase in hand, symbolizing her return to Paris as well as the character of Jacqueline, a young girl arriving in Le Havre. According to critics, it is R\u00e9jane whom the audience comes to applaud, and success follows every play she performs. 'If La Passerelle did not have the incomparable Mme R\u00e9jane as its performer, I do not believe it would achieve long-lasting success. The play does not hold up, as they say... Never has Mme R\u00e9jane displayed more flexibility, lively cheerfulness, or elegant grace... she is absolutely perfect.' \u2014 Hippolyte Lemaire, Le Monde Illustr\u00e9, February 8, 1902. Cappiello\u2019s R\u00e9jane matches this glowing portrait; she is remarkably vibrant. In what is ultimately just an enlarged caricature\u2014yet one crafted with exemplary balance and restraint\u2014he has captured the vitality and charm of the great actress. In 'Th\u00e9\u00e2tre,' a plate is dedicated to the various aspects of R\u00e9jane\u2019s role in this play, the first of the caricatures being none other than the drawing used for the poster, which Cappiello refined. The description of R\u00e9jane\u2019s costume, created by Doucet and detailed in 'La Mode Artistique' of March 1902, matches perfectly\u2014Cappiello has rendered every detail with great accuracy.\" [in Cappiello 1875\u20131942: Caricatures, Posters, Paintings, and Decorative Projects, 1981]","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/cappiello.fr\/en\/produit\/theatre-3\/","og_locale":"en_US","og_type":"article","og_title":"Th\u00e9\u00e2tre du Vaudeville \/ R\u00e9jane","og_description":"Arrival of R\u00e9jane with the manuscript of the play in hand. There exists a variant of the same dimensions without the letters. \"Between 1894 and 1905, R\u00e9jane undertook major tours in France, Europe, and America, yet she continued to create and perform new plays at the Vaudeville. In 1902, she starred in La Passerelle, Le Masque by Henry Bataille, and Le Joug by Albert Guinon. In the poster announcing her return to the Vaudeville after a tour, Cappiello depicts her with a suitcase in hand, symbolizing her return to Paris as well as the character of Jacqueline, a young girl arriving in Le Havre. According to critics, it is R\u00e9jane whom the audience comes to applaud, and success follows every play she performs. 'If La Passerelle did not have the incomparable Mme R\u00e9jane as its performer, I do not believe it would achieve long-lasting success. The play does not hold up, as they say... Never has Mme R\u00e9jane displayed more flexibility, lively cheerfulness, or elegant grace... she is absolutely perfect.' \u2014 Hippolyte Lemaire, Le Monde Illustr\u00e9, February 8, 1902. Cappiello\u2019s R\u00e9jane matches this glowing portrait; she is remarkably vibrant. In what is ultimately just an enlarged caricature\u2014yet one crafted with exemplary balance and restraint\u2014he has captured the vitality and charm of the great actress. In 'Th\u00e9\u00e2tre,' a plate is dedicated to the various aspects of R\u00e9jane\u2019s role in this play, the first of the caricatures being none other than the drawing used for the poster, which Cappiello refined. The description of R\u00e9jane\u2019s costume, created by Doucet and detailed in 'La Mode Artistique' of March 1902, matches perfectly\u2014Cappiello has rendered every detail with great accuracy.\" [in Cappiello 1875\u20131942: Caricatures, Posters, Paintings, and Decorative Projects, 1981]","og_url":"https:\/\/cappiello.fr\/en\/produit\/theatre-3\/","og_site_name":"Catalogue raisonn\u00e9 de Leonetto Cappiello","article_modified_time":"2025-05-14T22:04:44+00:00","og_image":[{"width":565,"height":800,"url":"https:\/\/cappiello.fr\/wp-content\/uploads\/2024\/10\/Lithographie-affiche-publicitaire-theatre-du-vaudeville-rejane-2-cappiello-1902.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_title":"Th\u00e9\u00e2tre du Vaudeville \/ R\u00e9jane","twitter_description":"Arrival of R\u00e9jane with the manuscript of the play in hand. There exists a variant of the same dimensions without the letters. \"Between 1894 and 1905, R\u00e9jane undertook major tours in France, Europe, and America, yet she continued to create and perform new plays at the Vaudeville. In 1902, she starred in La Passerelle, Le Masque by Henry Bataille, and Le Joug by Albert Guinon. In the poster announcing her return to the Vaudeville after a tour, Cappiello depicts her with a suitcase in hand, symbolizing her return to Paris as well as the character of Jacqueline, a young girl arriving in Le Havre. According to critics, it is R\u00e9jane whom the audience comes to applaud, and success follows every play she performs. 'If La Passerelle did not have the incomparable Mme R\u00e9jane as its performer, I do not believe it would achieve long-lasting success. The play does not hold up, as they say... Never has Mme R\u00e9jane displayed more flexibility, lively cheerfulness, or elegant grace... she is absolutely perfect.' \u2014 Hippolyte Lemaire, Le Monde Illustr\u00e9, February 8, 1902. Cappiello\u2019s R\u00e9jane matches this glowing portrait; she is remarkably vibrant. In what is ultimately just an enlarged caricature\u2014yet one crafted with exemplary balance and restraint\u2014he has captured the vitality and charm of the great actress. In 'Th\u00e9\u00e2tre,' a plate is dedicated to the various aspects of R\u00e9jane\u2019s role in this play, the first of the caricatures being none other than the drawing used for the poster, which Cappiello refined. The description of R\u00e9jane\u2019s costume, created by Doucet and detailed in 'La Mode Artistique' of March 1902, matches perfectly\u2014Cappiello has rendered every detail with great accuracy.\" [in Cappiello 1875\u20131942: Caricatures, Posters, Paintings, and Decorative Projects, 1981]","twitter_misc":{"Price":"","Availability":"In stock"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":["WebPage","ItemPage"],"@id":"https:\/\/cappiello.fr\/en\/produit\/theatre-3\/","url":"https:\/\/cappiello.fr\/en\/produit\/theatre-3\/","name":"Th\u00e9\u00e2tre du Vaudeville \/ R\u00e9jane - Catalogue Raisonn\u00e9 de Leonetto Cappiello","isPartOf":{"@id":"https:\/\/cappiello.fr\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/cappiello.fr\/en\/produit\/theatre-3\/#primaryimage"},"image":{"@id":"https:\/\/cappiello.fr\/en\/produit\/theatre-3\/#primaryimage"},"thumbnailUrl":"https:\/\/cappiello.fr\/wp-content\/uploads\/2024\/10\/Lithographie-affiche-publicitaire-theatre-du-vaudeville-rejane-2-cappiello-1902.jpg","datePublished":"1901-12-31T23:50:39+00:00","dateModified":"2025-05-14T22:04:44+00:00","description":"Arrival of R\u00e9jane with the manuscript of the play in hand. There exists a variant of the same dimensions without the letters. \"Between 1894 and 1905, R\u00e9jane undertook major tours in France, Europe, and America, yet she continued to create and perform new plays at the Vaudeville. In 1902, she starred in La Passerelle, Le Masque by Henry Bataille, and Le Joug by Albert Guinon. In the poster announcing her return to the Vaudeville after a tour, Cappiello depicts her with a suitcase in hand, symbolizing her return to Paris as well as the character of Jacqueline, a young girl arriving in Le Havre. According to critics, it is R\u00e9jane whom the audience comes to applaud, and success follows every play she performs. 'If La Passerelle did not have the incomparable Mme R\u00e9jane as its performer, I do not believe it would achieve long-lasting success. The play does not hold up, as they say... Never has Mme R\u00e9jane displayed more flexibility, lively cheerfulness, or elegant grace... she is absolutely perfect.' \u2014 Hippolyte Lemaire, Le Monde Illustr\u00e9, February 8, 1902. Cappiello\u2019s R\u00e9jane matches this glowing portrait; she is remarkably vibrant. In what is ultimately just an enlarged caricature\u2014yet one crafted with exemplary balance and restraint\u2014he has captured the vitality and charm of the great actress. In 'Th\u00e9\u00e2tre,' a plate is dedicated to the various aspects of R\u00e9jane\u2019s role in this play, the first of the caricatures being none other than the drawing used for the poster, which Cappiello refined. The description of R\u00e9jane\u2019s costume, created by Doucet and detailed in 'La Mode Artistique' of March 1902, matches perfectly\u2014Cappiello has rendered every detail with great accuracy.\" [in Cappiello 1875\u20131942: Caricatures, Posters, Paintings, and Decorative Projects, 1981]","breadcrumb":{"@id":"https:\/\/cappiello.fr\/en\/produit\/theatre-3\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/cappiello.fr\/en\/produit\/theatre-3\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/cappiello.fr\/en\/produit\/theatre-3\/#primaryimage","url":"https:\/\/cappiello.fr\/wp-content\/uploads\/2024\/10\/Lithographie-affiche-publicitaire-theatre-du-vaudeville-rejane-2-cappiello-1902.jpg","contentUrl":"https:\/\/cappiello.fr\/wp-content\/uploads\/2024\/10\/Lithographie-affiche-publicitaire-theatre-du-vaudeville-rejane-2-cappiello-1902.jpg","width":565,"height":800,"caption":"Michodi\u00e8re Theater in Paris"},{"@type":"BreadcrumbList","@id":"https:\/\/cappiello.fr\/en\/produit\/theatre-3\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/cappiello.fr\/en\/"},{"@type":"ListItem","position":2,"name":"The works","item":"https:\/\/cappiello.fr\/en\/the-works\/"},{"@type":"ListItem","position":3,"name":"Th\u00e9\u00e2tre du Vaudeville \/ R\u00e9jane"}]},{"@type":"WebSite","@id":"https:\/\/cappiello.fr\/en\/#website","url":"https:\/\/cappiello.fr\/en\/","name":"Catalogue raisonn\u00e9 de Leonetto Cappiello","description":"Plongez dans l&#039;univers de Leonetto Cappiello, le p\u00e8re de la publicit\u00e9 moderne","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/cappiello.fr\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]},"product_price_currency":"EUR","og_availability":"instock","product_availability":"instock","product_retailer_item_id":"1902001Z0 et 1902001Z1","product_condition":"new"},"_links":{"self":[{"href":"https:\/\/cappiello.fr\/en\/wp-json\/wp\/v2\/product\/132274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cappiello.fr\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/cappiello.fr\/en\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cappiello.fr\/en\/wp-json\/wp\/v2\/media\/132275"}],"wp:attachment":[{"href":"https:\/\/cappiello.fr\/en\/wp-json\/wp\/v2\/media?parent=132274"}],"wp:term":[{"taxonomy":"type-doeuvre","embeddable":true,"href":"https:\/\/cappiello.fr\/en\/wp-json\/wp\/v2\/type-doeuvre?post=132274"},{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/cappiello.fr\/en\/wp-json\/wp\/v2\/product_brand?post=132274"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/cappiello.fr\/en\/wp-json\/wp\/v2\/product_cat?post=132274"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/cappiello.fr\/en\/wp-json\/wp\/v2\/product_tag?post=132274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}