{"id":133099,"date":"1920-01-01T00:00:00","date_gmt":"1920-01-01T00:00:00","guid":{"rendered":"https:\/\/cappiello.fr\/produit\/blanchisseries-franco-americaines\/"},"modified":"2025-06-01T09:02:23","modified_gmt":"2025-06-01T07:02:23","slug":"blanchisseries-franco-americaines","status":"publish","type":"product","link":"https:\/\/cappiello.fr\/en\/produit\/blanchisseries-franco-americaines\/","title":{"rendered":"Blanchisseries Franco-Am\u00e9ricaines"},"content":{"rendered":"

Three majestic peacocks are taken as a symbol of the whitest white.<\/p>\n

From the entrance, visitors to the Galerie Devambez are greeted by these admirable white peacocks, one of Cappiello’s most accomplished works, which, enormous and snow-white, on a wall of the Champs-Elys\u00e9es, made one think less of the laundry they advertised than of a well-known chapter from “Daustin” or verses by Robert de Montesquiou. (E. Jaloux, 1923)
Cappiello, a colorist, abandoned his vibrant palette on several occasions, particularly in this poster: he masterfully depicts three white peacocks against a black background. He subverts the traditional symbolism associated with the image of the peacock in iridescent plumage displaying its tail. [in Cappiello. Caricatures, posters, paintings. Grand Palais. 1981]<\/p>\n","protected":false},"excerpt":{"rendered":"

Laundries<\/p>\n","protected":false},"featured_media":134476,"template":"","meta":{"_acf_changed":false},"type-doeuvre":[4057],"product_brand":[],"product_cat":[3348],"product_tag":[3356],"class_list":{"0":"post-133099","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"type-doeuvre-affiches","7":"product_cat-trade","8":"product_tag-pannier-dress","9":"pa_periode-1919-1929-en","10":"pa_type-de-contenu-lithography","12":"first","13":"instock","14":"virtual","15":"product-type-simple"},"acf":[],"yoast_head":"\nBlanchisseries Franco-Am\u00e9ricaines - Catalogue Raisonn\u00e9 de Leonetto Cappiello<\/title>\n<meta name=\"description\" content=\"Three majestic peacocks are taken as the symbol of the whitest white. "From the entrance, visitors to the Galerie Devambez are greeted by these admirable white peacocks, one of Cappiello's most accomplished works, which, enormous and snowy on a wall of the Champs-Elys\u00e9es, made one think less of the laundry they advertised than of a well-known chapter in 'Daustin' or verses by Robert de Montesquiou." E. Jaloux, 1923 Cappiello, a colorist, abandoned his vibrant palette on several occasions, particularly in this poster: he masterfully depicts three white peacocks against a black background. He subverts the traditional symbolism associated with the image of the peacock with its iridescent plumage fanning its tail." [in Cappiello. Caricatures Posters Paintings. Grand Palais. 1981]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cappiello.fr\/en\/produit\/blanchisseries-franco-americaines\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Blanchisseries Franco-Am\u00e9ricaines\" \/>\n<meta property=\"og:description\" content=\"Three majestic peacocks are taken as the symbol of the whitest white. "From the entrance, visitors to the Galerie Devambez are greeted by these admirable white peacocks, one of Cappiello's most accomplished works, which, enormous and snowy on a wall of the Champs-Elys\u00e9es, made one think less of the laundry they advertised than of a well-known chapter in 'Daustin' or verses by Robert de Montesquiou." E. Jaloux, 1923 Cappiello, a colorist, abandoned his vibrant palette on several occasions, particularly in this poster: he masterfully depicts three white peacocks against a black background. He subverts the traditional symbolism associated with the image of the peacock with its iridescent plumage fanning its tail." [in Cappiello. Caricatures Posters Paintings. Grand Palais. 1981]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cappiello.fr\/en\/produit\/blanchisseries-franco-americaines\/\" \/>\n<meta property=\"og:site_name\" content=\"Catalogue raisonn\u00e9 de Leonetto Cappiello\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-01T07:02:23+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cappiello.fr\/wp-content\/uploads\/2024\/10\/Lithographie-affiche-publicitaire-blanchisseries-franco-americaines-cappiello-1920.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"534\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Blanchisseries Franco-Am\u00e9ricaines\" \/>\n<meta name=\"twitter:description\" content=\"Three majestic peacocks are taken as the symbol of the whitest white. "From the entrance, visitors to the Galerie Devambez are greeted by these admirable white peacocks, one of Cappiello's most accomplished works, which, enormous and snowy on a wall of the Champs-Elys\u00e9es, made one think less of the laundry they advertised than of a well-known chapter in 'Daustin' or verses by Robert de Montesquiou." E. Jaloux, 1923 Cappiello, a colorist, abandoned his vibrant palette on several occasions, particularly in this poster: he masterfully depicts three white peacocks against a black background. He subverts the traditional symbolism associated with the image of the peacock with its iridescent plumage fanning its tail." [in Cappiello. Caricatures Posters Paintings. Grand Palais. 1981]\" \/>\n<meta name=\"twitter:label1\" content=\"Price\" \/>\n\t<meta name=\"twitter:data1\" content=\"\" \/>\n\t<meta name=\"twitter:label2\" content=\"Availability\" \/>\n\t<meta name=\"twitter:data2\" content=\"In stock\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"WebPage\",\"ItemPage\"],\"@id\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/produit\\\/blanchisseries-franco-americaines\\\/\",\"url\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/produit\\\/blanchisseries-franco-americaines\\\/\",\"name\":\"Blanchisseries Franco-Am\u00e9ricaines - Catalogue Raisonn\u00e9 de Leonetto Cappiello\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/produit\\\/blanchisseries-franco-americaines\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/cappiello.fr\\\/en\\\/produit\\\/blanchisseries-franco-americaines\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/cappiello.fr\\\/wp-content\\\/uploads\\\/2024\\\/10\\\/Lithographie-affiche-publicitaire-blanchisseries-franco-americaines-cappiello-1920.jpg\",\"datePublished\":\"1920-01-01T00:00:00+00:00\",\"dateModified\":\"2025-06-01T07:02:23+00:00\",\"description\":\"Three majestic peacocks are taken as the symbol of the whitest white. \\\"From the entrance, visitors to the Galerie Devambez are greeted by these admirable white peacocks, one of Cappiello's most accomplished works, which, enormous and snowy on a wall of the Champs-Elys\u00e9es, made one think less of the laundry they advertised than of a well-known chapter in 'Daustin' or verses by Robert de Montesquiou.\\\" E. Jaloux, 1923 Cappiello, a colorist, abandoned his vibrant palette on several occasions, particularly in this poster: he masterfully depicts three white peacocks against a black background. He subverts the traditional symbolism associated with the image of the peacock with its iridescent plumage fanning its tail.\\\" [in Cappiello. Caricatures Posters Paintings. 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